A Jungian Analysis of How Like a God Essay -- How Like a God Essays

A Jungian Analysis of How Like a immortal Isaac Asimov was certainly correct when he stated that the writer of a story doesnt necessarily k now everything about it. The author, Brenda W. Clough, claims not to have had an acquaintance with Carl Jungs work when written material How Like a God. However, the architecture of the book is strikingly Jungian. In the beginning of the novel, the main character, Rob has very little interest in his appearance. Many calculating machine people are like that, and he has his devoted wife Julianne to make all the sartorial decisions for him. He looks like a desk warrior, pale, uninteresting, and out of shape. He wears electroneutral colors, beige and brown, to symbolize his undifferentiated state. In second part of the novel, under the intolerable agony of losing his family, Robs cold dark side emerges and quickly takes over. The new government is inaugurated by unnatural and life-denying behavior not eating, not drinking, not sleeping, but si nking down into the dark on a park bench. Robs appearance alters as he takes to wearing rags and a dark blue toggle coat. He loses weight because he forgets to eat. Even his sexuality is warped. When he faces up to whats going on he immediately tries to change by getting a haircut. At the hairdresser he notices music for the first time in the book. He in like manner notices hes blonder. He now has a light, and a dark, side. In part three of the novel, under Edwins beneficent influence, Rob cultivates his better inclinations and inadvertently worsens a one-sidedness. He forces the tramp, now stigmatized as a frightening monster, down into the sub-basement of himself -- the trap-door of which, however, has no lock. Edwin is the natural ally of Robs good, lighter side... ...the power warp him into not-self, of becoming Gilgamesh. He knows the face of his own devilish now, and the knowledge is a responsibility. In this soup of symbols Edwin has two roles. He is of course a hermen eut, guiding Rob towards self-realization. But he is also Virgil, the icon of movement and light and learning to Robs Dante. (This is the reason why Rob is vaguely repelled by The Divine Comedy in the New York Public Library. At that point hes in full avoidance mode, and even the first line of the poem cuts too close to home. Midway in our lifes journey I went astray from the straight road, and woke to feel myself alone in a dark wood. Ouch) Edwin can guide Rob forward to the final confrontation with his dark side, but he cant battle the shade off himself. In fact Edwin finds Robs unconscious realm intolerable, since reason has no place there.